From 64b06c318748f33ff25e5bc254abb36ce7a06a70 Mon Sep 17 00:00:00 2001
From: rism-af <147155635+rism-af@users.noreply.github.com>
Date: Tue, 28 May 2024 09:59:13 +0200
Subject: [PATCH 1/2] Update 2024-05-28-Meeting-German-RISM-Offices.md


From a0a668c96e7e9d9306419ecef520966b977ef586 Mon Sep 17 00:00:00 2001
From: rism-af <147155635+rism-af@users.noreply.github.com>
Date: Tue, 28 May 2024 10:15:13 +0200
Subject: [PATCH 2/2] Update 2024-05-28-Meeting-German-RISM-Offices.md

---
 _posts/en/2024-05/2024-05-28-Meeting-German-RISM-Offices.md | 4 +++-
 1 file changed, 3 insertions(+), 1 deletion(-)

diff --git a/_posts/en/2024-05/2024-05-28-Meeting-German-RISM-Offices.md b/_posts/en/2024-05/2024-05-28-Meeting-German-RISM-Offices.md
index 3122d45..5a4f564 100644
--- a/_posts/en/2024-05/2024-05-28-Meeting-German-RISM-Offices.md
+++ b/_posts/en/2024-05/2024-05-28-Meeting-German-RISM-Offices.md
@@ -5,7 +5,7 @@ date: 2024-05-28
 lang: en
 post: true
 category: new_at_rism
-image: "/images/old/20240515_Arbeitstreffen Dresden_Werkstatt.jpg"
+image: "/images/old/20240515_Arbeitstreffen Dresden_Gruppenbild.jpg"
 email: ''
 author: ''
 ---
@@ -14,6 +14,8 @@ In mid-May 2024, the staff of the Munich and Dresden RISM offices came together
 
 One of the points of discussion, for example, was finding tools to describe images and illustrations found on title pages, an area where there are no guidelines in RISM yet. An introduction to classification in image description by Sophie Rölle from the German Digital Library provided fresh ideas. This insight into different ways of assigning keywords and describing images formed a starting point for further discussions on open questions regarding one potential use for printed music editions. 
 
+{% include image file="/images/old/20240515_Arbeitstreffen Dresden_Werkstatt" pos="right" %}
+
 A tour through the Graphics Workshop of the Dresden Museum of Science and Technology’s Technical Collections led to a discussion of questions related to materiality and printing techniques. Torsten Leupold explained different printing processes, starting with book printing by Gutenberg and other letterpress techniques. The group was shown examples from lithography but the focus was on intaglio printing processes. Concrete insights into the practice of etching, copperplate engraving, aquatint, etc. offered the group new approaches to assessing printing techniques. Other methods of differentiation were discussed in conversations.
 
 It was important for everyone involved to have this direct interaction because it is only seldom possible, given the physical separation of the two offices.