- See the website for further information: amirifont.org + See the amirifont.org website for further information and + to contribute, see github.com/alif-type/amiri +
+ ++ This font uses the COLRv0, CPAL and SVG tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+ ++
@@ -53,7 +64,3 @@
- --To contribute, see github.com/alif-type/amiri. -
diff --git a/ofl/arefruqaaink/DESCRIPTION.en_us.html b/ofl/arefruqaaink/DESCRIPTION.en_us.html index 655fea45124..4c0f1c92661 100644 --- a/ofl/arefruqaaink/DESCRIPTION.en_us.html +++ b/ofl/arefruqaaink/DESCRIPTION.en_us.html @@ -1,6 +1,13 @@Aref Ruqaa Ink is an Arabic typeface that aspires to capture the essence of the classical Ruqaa calligraphic style.
+ ++This font uses the COLRv1, CPAL and SVG tables. Please visit +the gf-guide color page +to learn more about Color Fonts technology. +
+The Aref Ruqaa project is led by Khaled Hosny, a type designer based in Cairo, Egypt. To contribute, see github.com/alif-type/aref-ruqaa diff --git a/ofl/blakaink/DESCRIPTION.en_us.html b/ofl/blakaink/DESCRIPTION.en_us.html index 3cbfff1fc82..c983eb287d7 100644 --- a/ofl/blakaink/DESCRIPTION.en_us.html +++ b/ofl/blakaink/DESCRIPTION.en_us.html @@ -14,5 +14,10 @@ applications like Google Chrome (version 98 or later).
- To contribute, see github.com/Gue3bara/Blaka. -
\ No newline at end of file + This font uses the COLRv1, CPAL and SVG tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. + ++ To contribute, see github.com/Gue3bara/Blaka +
diff --git a/ofl/bungeespice/article/ARTICLE.en_us.html b/ofl/bungeespice/article/ARTICLE.en_us.html index 371e3bb0e6a..2ff7c8a33b3 100644 --- a/ofl/bungeespice/article/ARTICLE.en_us.html +++ b/ofl/bungeespice/article/ARTICLE.en_us.html @@ -16,9 +16,16 @@ I gain serifs in order to create vertical words with well-defined left and right edges. + ++ This font uses the COLRv1, CPAL and SVG tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+To contribute, see - github.com/djrrb/Bungee + github.com/djrrb/Bungee
+ This font uses the COLRv0 and CPAL tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+To contribute, see - github.com/djrrb/Bungee + github.com/djrrb/Bungee
Cairo Play is a color font version of Cairo which features colored marks.
++ This font uses the COLRv0 and CPAL tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+To contribute, see github.com/Gue3bara/Cairo.
diff --git a/ofl/foldit/DESCRIPTION.en_us.html b/ofl/foldit/DESCRIPTION.en_us.html index 671f7171287..96158761a06 100644 --- a/ofl/foldit/DESCRIPTION.en_us.html +++ b/ofl/foldit/DESCRIPTION.en_us.html @@ -1,6 +1,13 @@Foldit is a variable-gradient COLRv1 font which uses gradients to play with dimensions and give a sense of space. The concept of this design was, as the name suggests, based on a folded paper strip.
+ ++ This font uses the COLRv1 and CPAL tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+To contribute, see https://github.com/SophiaDesign/Foldit.
- \ No newline at end of file + diff --git a/ofl/honk/DESCRIPTION.en_us.html b/ofl/honk/DESCRIPTION.en_us.html index 51190e149a8..df36e4e27ce 100644 --- a/ofl/honk/DESCRIPTION.en_us.html +++ b/ofl/honk/DESCRIPTION.en_us.html @@ -11,4 +11,10 @@ This project is designed, engineered and maintained by Ek Type; a collective of type designers focused on designing contemporary Indian typefaces. Honk is designed by Noopur Datye and Yesha Goshar, and engineered by Sidharth Jaishankar and Girish Dalvi, emojis are designed by Athul Jayaraman and testing is done by Taresh Vohra and team Ek Type. A big honk to all the amazing designers who helped by open sourcing their color/element-based variable fonts. -To contribute, see github.com/EkType/Honk
\ No newline at end of file ++ This font uses the COLRv1 and CPAL tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+ +To contribute, see github.com/EkType/Honk
diff --git a/ofl/kalnia/DESCRIPTION.en_us.html b/ofl/kalnia/DESCRIPTION.en_us.html deleted file mode 100644 index e69de29bb2d..00000000000 diff --git a/ofl/kalnia/article/ARTICLE.en_us.html b/ofl/kalnia/article/ARTICLE.en_us.html index 0de7c68dd06..4411a7a670f 100644 --- a/ofl/kalnia/article/ARTICLE.en_us.html +++ b/ofl/kalnia/article/ARTICLE.en_us.html @@ -2,6 +2,7 @@ Kalnia is a variable font with weight and width axes designed with high contrast and refined terminals, drawing inspiration from the Victorian era. This historical period marked a transition from manual to machine production, and the 'fat face' style emerged—a bold and attention-grabbing typography used for poster headlines to stand out from traditional typefaces. Kalnia embodies the delicate and the boldness, bridging the gap between the old and the new. This display font family comprises a total of eight styles, making it a versatile choice for poster headlines and expressive design projects. +To contribute, see github.com/fridamedrano/Kalnia-Typeface
diff --git a/ofl/kalniaglaze/article/ARTICLE.en_us.html b/ofl/kalniaglaze/article/ARTICLE.en_us.html index df9ecf685c8..241e19abd71 100644 --- a/ofl/kalniaglaze/article/ARTICLE.en_us.html +++ b/ofl/kalniaglaze/article/ARTICLE.en_us.html @@ -42,6 +42,13 @@+ This font uses the COLRv1 and CPAL tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+Kalnia Glaze also has four main icons with the option of using them solo or with a frame. diff --git a/ofl/nabla/DESCRIPTION.en_us.html b/ofl/nabla/DESCRIPTION.en_us.html index 6a1507233ed..ca45d59acd1 100644 --- a/ofl/nabla/DESCRIPTION.en_us.html +++ b/ofl/nabla/DESCRIPTION.en_us.html @@ -2,7 +2,15 @@
Nabla is a color font inspired by isometric computer games, built using the COLRv1 format. This format allows for smooth gradients, sharp highlights and blended shadows, resulting in a bold and vibrant design. It includes two font variations axes, one for the depth of the letters, the other for the thickness of the highlight, and includes multiple color palettes.
+ ++ This font uses the COLRv1, CPAL and SVG tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+Designed by Arthur Reinders Folmer, created with the magic of Just van Rossum.
-To contribute, see github.com/justvanrossum/nabla.
\ No newline at end of file + +To contribute, see github.com/justvanrossum/nabla.
diff --git a/ofl/notocoloremoji/DESCRIPTION.en_us.html b/ofl/notocoloremoji/DESCRIPTION.en_us.html index 32dfc8d2d2c..1418c2fb6d4 100644 --- a/ofl/notocoloremoji/DESCRIPTION.en_us.html +++ b/ofl/notocoloremoji/DESCRIPTION.en_us.html @@ -2,3 +2,9 @@ Noto Color Emoji is an open source font that has you covered for all your emoji needs, including support for the latest Unicode emoji specification. It features thousands of emoji. + ++ This font uses the COLRv1, CPAL and SVG tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
diff --git a/ofl/notoznamennymusicalnotation/DESCRIPTION.en_us.html b/ofl/notoznamennymusicalnotation/DESCRIPTION.en_us.html index 2ede5557817..d1b7b5840dd 100644 --- a/ofl/notoznamennymusicalnotation/DESCRIPTION.en_us.html +++ b/ofl/notoznamennymusicalnotation/DESCRIPTION.en_us.html @@ -1,3 +1,9 @@Noto is a global font collection for writing in all modern and ancient languages. Noto Znammeny Musical Notation is a font that contains symbols for the Znamenny Chant musical notation. It has 527 glyphs.
+ ++ This font uses the COLRv0 and CPAL tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
diff --git a/ofl/reemkufifun/DESCRIPTION.en_us.html b/ofl/reemkufifun/DESCRIPTION.en_us.html index 4ba4534f135..2ae139392f1 100644 --- a/ofl/reemkufifun/DESCRIPTION.en_us.html +++ b/ofl/reemkufifun/DESCRIPTION.en_us.html @@ -8,6 +8,13 @@ The Arabic component was designed by Khaled Hosny, who combined it with the Latin component by Santiago Orozco. Reem is an Arabic female name that literally means “a white deer,” and is also the name of Khaled's daughter. + ++ This font uses the COLRv0 and CPAL tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+To contribute, see github.com/alif-type/reem-kufi
diff --git a/ofl/reemkufiink/DESCRIPTION.en_us.html b/ofl/reemkufiink/DESCRIPTION.en_us.html index bce42eae498..b05001f3326 100644 --- a/ofl/reemkufiink/DESCRIPTION.en_us.html +++ b/ofl/reemkufiink/DESCRIPTION.en_us.html @@ -8,6 +8,13 @@ The Arabic component was designed by Khaled Hosny, who combined it with the Latin component by Santiago Orozco. Reem is an Arabic female name that literally means “a white deer,” and is also the name of Khaled's daughter. + ++ This font uses the COLRv1, CPAL and SVG tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+To contribute, see github.com/alif-type/reem-kufi
diff --git a/ofl/sixtyfourconvergence/article/ARTICLE.en_us.html b/ofl/sixtyfourconvergence/article/ARTICLE.en_us.html index 39e4509377e..40fb46e8ad4 100644 --- a/ofl/sixtyfourconvergence/article/ARTICLE.en_us.html +++ b/ofl/sixtyfourconvergence/article/ARTICLE.en_us.html @@ -9,6 +9,12 @@ support a limited set of glyphs. ++ This font uses the COLRv1 and CPAL tables. Please visit + the gf-guide color page + to learn more about Color Fonts technology. +
+To contribute, see